Tag Archives: literary

The Night Circus by Erin Morgenstern

3 Stars

“People see what they wish to see. And in most cases, what they are told that they see.”

I liked this book, but I didn’t love it. I should, but I didn’t. The Night Circus had a very good story, a solid concept, it sang a distinct sound. I get why some people saw some splashes of Gaiman in this novel. This book is incredibly descriptive and visual, the settings are always described in a way that make them very easy to imagine. I believe this book is a treat for imaginative minds. At first, I truly felt like a kid being thrust into a candy shop for the first time—but too much sugar can harm your teeth—and I think that’s what happened to me here.

“You may tell a tale that takes up residence in someone’s soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.”

This is probably one of the most visual books I’ve read, and therein lies its greatest strength and weakness. The introduction to the circus was marvelous. In fact, I personally think the Prologue was the strongest chapter in the entire book. The first encounter with the Circus was enchanting. I could smell the caramel, popcorn, warm cider and candied applies in my head. It seemed as if I was literally there at the circus! But as the book went on, it felt forced and redundant. There were moments wherein I felt like the narrator was trying to push how great, grand and magical the circus was every chance he could get, raining the reader with a barrage of adjectives. It became too wordy. It felt like I was being forced to believe it—forced to smell the deliciousness and sweetness of the liquid caramel whose scent wafted through the air as it was drizzled in a slow pour, like maple syrup on a hot plate of pancake, on top of the warm and freshly-popped popcorn with melted buttermilk butter, held inside a fantastic bucket of black and white stripes with a sprinkled print of glittering stars. See what I did there? Too much of a good thing is not always good, and I think that’s why I found it difficult to truly love this book.

The characters were interesting, so varied, and likable in their own right but they felt so far away. Do you get what I mean? I liked them but I never got to invest myself in them. It never became personal, never intimate. At the end of the book, I knew I read a good story but I didn’t feel anything—except perhaps a slight craving for caramel-drizzled popcorn.

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Gone Girl by Gillian Flynn

5 Stars

There’s a difference between really loving someone and loving the idea of her.

Gone Girl won a Goodreads Choice award last year so I had very high expectations when I started this book. I admit, I found the first part a little dragging but everything changed when I got to the second part.

To me, this book was able to tread the line between crime fiction and literary fiction, and did so brilliantly. I admire Gillian Flynn for being bold enough to use this style of writing to tell her story. The cliff-hangers were perfectly positioned, each chapter made me want to read more. You think you know, but you don’t. Not even close. I often second-guessed myself and whenever I started to form my theories, another chapter just completely trashes it out the window. I was so deceived I almost felt cheated by the author! But that’s what’s so good about it.

Gone Girl makes you think, it makes you read between the lines, it makes you ask questions, it gives enough lead you on but still deprives enough to be able to totally surprise you. And that is what makes this good fiction.